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"Mariela Futur" exposes Bogota
to new Proctor & Gamble product

What does an international ad agency do to launch a new family grocery product in a major South American metropolis? They turn to a special events producer with an ace up his sleeve - a live, animated spokesperson who can make an impact at the kick-off, with the media and in the grocery supermarkets with the customers themselves.




Mariela sells soap to South America housewives

Imagine introducing a new family cleaning product to the supermarkets - Where do marketing planners start when it comes to launching a product already in distribution in the United States and Europe, but not in South America? Some of the biggest supermarkets in the world (when it comes to actual floor space) are located in the 3-million-plus city of Bogota, Colombia, and the battle for shelf space and brand identity is fiercely fought.

Using the high-tech tool of performance animation, TORO Agency (D'Arcy Masius Benton & Bowles) President Christian Toro and VIP Eventos Producer Juan Pablo Neira took on the challenge, and succeeded with a smash hit, that took over the city in a week-long media blitz like none other.

After two months of careful planning and numerous creative sessions, the team came up with the following strategy of content and appearances by the character Cybrina, now cast as "Mariela Futur," the housewife of the future and spokesperson for Proctor & Gamble's new liquid detergent, Ariel.

First, the actress who would play Mariela was chosen - Alexandra Montoya, a radio personality and humorous impersonator known by many in the city. She was flown to the Live Animation studios to be trained and to record some video for pre-produced commercials that would start running for a couple of weeks on Bogotan TV, prior to the opening night.

At the opening night, a product launch party was staged by VIP Eventos, featuring Mariela, along with Proctor & Gamble dignitaries and Bogota spokesmodel Paula Turbay, a former Miss Colombia. Mariela came up on the screen at the posh Club Nogal, and then held a press conference from her place on a big screen TV during a cocktail reception.

A 10-station TV media blitz followed, where the trio of Neira, actress Montoya and Live Animation Producer Gary Jesch moved the Digital Puppeteer system from one station to another, and performed real-time interviews which were recorded for post-production and integration into the station's news programs. These interviews were themed around Mariela's appearance in Bogota at the stores to introduce Ariel. While moving from one station to another across the city was physically exhausting, the Digital Puppeteer system never failed to work correctly, allowing the producers to complete the busy schedule at the convenience of the station's producers. In the process, many broadcasting professionals were exposed to the capabilities of live animation for the very first time, and impressed.

In one program at RCN, the city's biggest and most popular station, Mariela was positioned in the set by chromakey overlay (above) with three regular actors doing their normal weekly show. Moments before the show was due to air live, the director recorded a quick interview with Mariela that culminated in her giving one of the personalities a "cyber kiss," complete with eyes closed. From his control at the Digital Puppeteer, Jesch and Montoya worked in perfect sync to bring Mariela to life on the final program and secure a place in the hearts of Bogotan TV watchers who would find them in local stores for the next three days.


Three days of in-store appearances were planned for the end of the week, putting Mariela in giant supermarkets on payday, where she would interact with families in the grocery store aisles, telling them about the merits of the detergent, and getting them to try it at home. Proctor & Gamble also supported the store appearances by putting its product on sale, starting a small price war with the competitors. But Mariela won that battle, too, and thousands of Colombians got their first-ever experience in talking with the Live Animation cyber human.

Mariela works with a Proctor & Gamble assistant in the stores. Here she says, in her demo, "Take the cap off the bottle, and smell it. Doesn't that smell nice? And see, the cap is used to measure out exact amounts of the liquid detergent needed for each wash. Doesn't that seem to be a great thing for your own family's laundry?"

The customer responds by putting the bottle of soap into their shopping cart, while the little kids cheered Mariela and wanted to stay and talk to her. Each store appearance lasted about two to three hours.

The small "spy" camera on top of the box prop lets Jesch and Montoya see and hear each of the customers interacting with Mariela, from the hidden control booth.

The final element of the campaign brought the Digital Puppeteer team to a local broadcast studio where a live info-mercial starring Mariela would be presented during prime-time TV. Mariela's big-screen TV was placed on the attractive TV set, where she interacted with the program's hosts and interviewed a famous local soccer player about his laundry habits, live, in real-time, in front of a TV audience. The show pulled an 8.9 rating against "The Shining," about three points higher than expected by the marketing planners at the agency.

At the wrap-up meeting comprised of Proctor & Gamble managers, TORO agency managers, VIP Eventos JP Neira and Live Animation's Gary Jesch, everyone agreed that the consistent, flawless functioning of the Digital Puppeteer while moving back and forth across Bogota from event to event, was the key to the success of the campaign.

The creative directors also liked the way they could come up with original ideas, using such an interactive medium as performance animation, to get the media's attention at one level, and the customers' attention at point-of-purchase. Proctor & Gamble people praised all on the consistent presentation of its brand and the uniqueness of using Mariela as a spokesperson.

Jesch attributes the road-case encapsulation and constant monitoring of the moving of the equipment in and out of the locations, to the system's unfailing performance on the Bogota tour.

"The best thing about this job was getting to know and work with all the people involved. They made me feel like one of the family the entire time. I have great appreciation for those at Proctor & Gamble, the ad agency, the broadcast people, the actors and for Juan Pablo Neira's production skills and Alexandra's performing skills."

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